Return to the Land of Spiders

For awhile we could live
where the air blew rumors
of trash barges up the Hudson
and helicopters pounded the dome.

We could watch the ferry boats weave
webs across the space
begun by water and finished with
ratios of styrofoam and steel.

There were no spiders there;
they couldn’t afford it.
There were barely bugs, but even so,
this was cockroach turf.
Except that one time, which only proved the rule.
The spider prowled like a tiny bear
on the marble floor near the loading dock,
a stowaway from Korea.
I crushed its life with my shoe
(no bodhisattva, I,)
saving the New Jersey ecosystem
from certain contamination.

They let me have that one, the spiders,
but they are waiting for me
in the corners of my new home,
in the closets.

They will raid my dreams from their sacs
where the ceiling meets the wall,
dying in my mouth:
a bolus of hair and leg and fang.
They will parachute into my cereal
while I am half awake,
twitch and spawn by the window screen.

They know what I am;
all of spider-dom knows it.
But I will run their gauntlet for the
sake of my children.

In the hedges, orb weavers vibrate in the wind, waiting.

Brooklyn fragment

Garlic bread on a board
Old wood counters, etched with cuts
Cups and wicker
Pots hung on the makeshift wall
Tea brews

You can lean through plants here
And see Brooklyn
Through a high kitchen window
Try not to topple the handmade vase

A house of music
And movies — old black-and-whites
And wine
In her room, a futon on the floor,

It took me how long to figure
I wasn’t there to fix
Her computer?
Some men drink liquor
Or golf the time away
But for me life has a certain sorrow
Scenting my fingers still next day

I was young I was old
But I was mostly in between
The music was fine
And the books were fine
The stars were wrong
— but the movies were fine

When I left there, we were smiling
Unashamed and unfulfilled
With not much left to say
On her desk sat a working computer
And in my pocket some notes
On the music she’d
Played
Through the night

Manhattan Lunch Hour

It is summer and the city is in heat. Snapshots of passing faces, staring up from the tedium of matter. Everyone has a texture; many have a story. Girl with tattoo on shoulder walking two dogs — one light brown, short hair, the other black and fluffy. Unshaven man, about 40, turns to look at her ass. His denim jacket is a shell on his wasted body. A punk teen sits against a building, massaging her boyfriend’s shoulders. His hair is dyed, his long legs jut into the path of pedestrians, ending in orange platform shoes. They are sheepishly enjoying being a spectacle. Spare change, sir? Black dredlocked rasta with shopping bags, palms forward, showing veined forearms. Faraway look. Bodies blur into a sea of thought. There are many lonely trajectories, and ample clusters of blind affiliation. Ambulatory pods of muscle and bone. I am one.

DNA, string of replication, the experience squeezes itself from one node to the next, compounding, complexifying, perpetuating itself. Like sap flowing, like crystals growing. I think of it and moan.

World Trade Center at Lunchtime on a Weekday

a breeze cools me
sun-blind before
a sparkling fountain
luster of heavy power
this plaza, impact crater
of money
white shirts, student backpacks
the rustle of sandwich papers
and the fountain.
dirty pigeons scavenge,
feathers musty in the sun.
a bronze ball of involving might
rivets this place
to the earth

Ginkgo

It is easy,
in the season of renewal,
to take a greening twig for a sign
that life is not a losing
proposition,

That we aren’t just
a pinch of food
hanging uneaten on the lip of God,

When
past the hemline,
flesh leaps in dolphin curves,
tracing warm trajectories
beneath synthetic seas.

A swish, a dimple,
Spring’s message is simple:
Bifurcate and beat the curve

Which is why
the oldest phylum tree
still blossoms
in the shadow of cities.

fire escape poem

Bushman on the savanna
shaking a rock at the sky
Words like desperate fingers, dying
fumble towards him
In the midst of such horror:
“God help me, it tickles!”
Unformed, embryo,
a naive intake of breath
preceding history

There is a cat face peering
through ferns in that window
distant window seen from
someone else’s fire escape
tiny ears listening
for food-like noises
Quiet patient biology
Cat.

We are waiting on fire escapes
breathing air that
is fresher at least
than the closed conditioning
of weekend offices.
It is Manhattan
and we are quietly afraid,
because our complacency
has failed to produce
even monsters.

Or, endless roaring stations
homo transiens
waiting to move again,
waiting to stop moving
Lost in private digestion
of culture’s thin milk
bitter
with the taint
of newspaper ink.
Black spots dot the platforms
gum once chewed

“Ladies and Gentlemen,
I apologize for the interruption.
I am in complete agony.
There is little you can do to help.
Thank you for your time.”

He is a black man
in a stained business suit
singing off key
and pierced by muttered commentary
Spinning in his private world
like a dizzy spider.
I can feel the date on
every coin in my pocket
as I leave the train.

Tompkins Square, July 12, 1997

Old splashed shadows,
Feathers, on asphalt, matted
Where pigeons went
Hint of accidents and delis
Another drumbeat Sunday
With plastic bags and newsprint
Forgotten ruins of food
Archaeology for flies
And tiny birds
Red lizard feet
Of pecking pigeons
Some, spurned males
All ruffled feathers
And cooing persistence
Admirable, absurd

A sneaky squirrel scoots
Through the bushes